I didn’t want Hawk and Dove to be so far down on my list. But it just wasn't that good. Every time I went to rate it against one of the other titles I had to pause, but ultimately it lost a lot of the comparisons. Don't get me wrong, there are things about Hawk and Dove that are praise worthy. Some of the art is pretty smart and the coloring is excellent. Where Hawk and Dove falls flat are the characters and the story.In this first story arc we see that Hawk and Dove are the embodiment of war and peace, touting such powers as strength and compassion, respectively. The enemies that we set up for them are the infamous Condor and Swan. Okay, I would like to think that I can get past these names, but the story telling is still scattered and inconsistent, promising enough just to be disappointing.
Here’s my reason for disliking Hawk and Dove so much. It has so much potential that it could live up to, but it fails. A great scene in the second issue is the creation of Swan, who achieves this status by sacrificially killing another avatar. But despite some great hints of story, I don’t know what is up with these characters. It doesn’t help when Deadman shows up, bringing up his past relationship with Dove. In the third issue, the presence of Deadman shows us that there is something dark and sinister lurking within Condor and Swan, but I feel that this could have been portrayed with the two title characters. I mean, what else are super powers of compassion and intelligence useful for. In addition to these gripes, I've been spoiled with characterization in some of the other New 52. Although we get to see both characters outside of their uniforms, the ingredients of their social life are off and its not yet interesting.
This incarnation of Hawk and Dove is brought to us by Sterling Gates and Rob Liefeld. Overall, Liefeld's art is okay, though some of the scenes are downright awesome. Unfortunately, those just highlight the inconsistencies. Sadly, the writing follows this same pattern. Turning to Gates, he is a relative new comic writer and, according to Wikipedia, was hired by Johns. I wish I had read some of his other work, and I would love to know what he is/was thinking with this book. Did he choose the title or was it offered to him? Again, parts of the story are intriguing, and I'll keep reading it, but there were so many other titles that DC could have released.

